Camouflage

« Most people’s mums are mad. Mine’s got schizophrenia »
Dans un subtil mélange de séquences filmées et animées, Jonathan Hodgson illustre le témoignage singulier d’enfants élevés par un parent schizophrène.

Solipsist

SOLIPSIST is a three part experimental fantasy short film about otherworldly beings whose minds and bodies converge into one entity. Filled with elaborate costumes, stunning visual effects, and underwater puppets, the film is a non-narrative purely visual/audio experience designed to transport viewers through a hypnotic, dream-like experience. It consists of three parts, each featuring visually fantastic characters and creatures that converge with each other in surreal ways. The film concludes by featuring all three segments combine into a colorful, psychedelic finale.

Eskmo’s We Got More

Sortie en 2010, le clip We Got More d’Eskmo, réalisé par Cyriak Harris, œuvre emblématique de l’animation surréaliste numérique, met en scène une série de transformations grotesques et hypnotiques, où des corps humains se métamorphosent en créatures absurdes et mutantes.

Muybridge’s Strings

« Can time be made to stand still? Can it be reversed? Koji Yamamura’s Muybridge’s
Strings is a meditation on this theme, contrasting the worlds of the photographer Eadweard Muybridge—who in 1878 successfully photographed consecutive phases in the movement of a galloping horse—and a mother who, watching her daughter grow up, realizes she is slipping away from her. Moving between California and Tokyo, between the nineteenth century and the twenty-first, the film focuses on some of the highpoints in Muybridge’s troubled life and intercuts them with the mother’s surrealistic daydreams—a poetic clash that explores the irrepressible human desire to seize life’s fleeting moments, to freeze the instants of happiness. Enriched by Koji Yamamura’s refined artistry and Normand Roger’s soundtrack, Muybridge’s
Strings observes the ties that cease to bind, fixes its gaze on the course of life, and presents a moment in time suspended on the crystalline notes of a canon by J.S. Bach. »

Yellow Fever

In this film, filmmaker Ng’endo Mukii focuses on African women’s self-image, through memories and interviews; using mixed media to describe this almost schizophrenic self-visualization that she and many others have grown up with.

Les Journaux de Lupsett

Ce court métrage d’animation est une descente dans le maelström des angoisses d’Arthur Lipsett, célèbre cinéaste expérimental canadien, mort à 49 ans. Journal intime transfiguré en bombardement d’images et de sons, exploration d’une prodigieuse frénésie créatrice, tableau illustrant la chute vertigineuse d’un artiste dans la dépression et la folie, Les journaux de Lipsett est l’occasion pour Theodore Ushev de renouveler son esthétique pour coller au plus près du génie tutoyant la folie.