Immaterials: Light painting WiFi

This project explores the invisible terrain of WiFi networks in urban spaces by light painting signal strength in long-exposure photographs.

A four-metre long measuring rod with 80 points of light reveals cross-sections through WiFi networks using a photographic technique called light-painting.

Neighbour Abdi

How can you understand a violent past? Somali-born Abdi reenacts his life, marked by war and criminality, with the help of his neighbour and filmmaker Douwe. Through playful reconstructions in a special effects studio, they embark on a candid and investigative journey through a painful history, focusing on the creative process throughout.

Camouflage

« Most people’s mums are mad. Mine’s got schizophrenia »
Dans un subtil mélange de séquences filmées et animées, Jonathan Hodgson illustre le témoignage singulier d’enfants élevés par un parent schizophrène.

Solipsist

SOLIPSIST is a three part experimental fantasy short film about otherworldly beings whose minds and bodies converge into one entity. Filled with elaborate costumes, stunning visual effects, and underwater puppets, the film is a non-narrative purely visual/audio experience designed to transport viewers through a hypnotic, dream-like experience. It consists of three parts, each featuring visually fantastic characters and creatures that converge with each other in surreal ways. The film concludes by featuring all three segments combine into a colorful, psychedelic finale.

Eskmo’s We Got More

Sortie en 2010, le clip We Got More d’Eskmo, réalisé par Cyriak Harris, œuvre emblématique de l’animation surréaliste numérique, met en scène une série de transformations grotesques et hypnotiques, où des corps humains se métamorphosent en créatures absurdes et mutantes.

Yellow Fever

In this film, filmmaker Ng’endo Mukii focuses on African women’s self-image, through memories and interviews; using mixed media to describe this almost schizophrenic self-visualization that she and many others have grown up with.